Showing posts with label Inside the Artist's Studio. Show all posts
Showing posts with label Inside the Artist's Studio. Show all posts

Thursday, October 28, 2010

On the Drawing Table: Moon or Bust!

My colored pencils have been pulled out of their hiding spot once again, and this time we're exploring space together! My youngest artist has been along for the space shuttle ride, giving me quite a view of cuteness while I work.

She's having a great time learning all the fancy names for colors. And as a result, has decided she'd like to change her name to Crimson Red.

I'm still working on my alphabet letters, and hope to have V, R, and E finished by next week, so stay tuned for more photos!

And before I go, here's a close up of the little astronaut and his large smile. I'm a fan of smiles.

Happy Thursday, folks!

xoxo,

Tuesday, September 7, 2010

How Drawing a Picture is like Writing a Book

A few months ago I was asked about my writing process and how it relates to my artistic process when it comes to creating an illustration. My answer - "Uh... they don't relate at all?"

But the other day, I sat down to create the blog banner for my friend Alyson (who's blog Kid Lit Frenzy is one I highly recommend you follow as it is filled with excellent reviews of children's literature, from picture books through young adult fiction) and while I worked, from sketch to finished illustration, I couldn't help noticing that when it comes to process, things are VERY much the same. I'm just so used to drawing pictures I like and NOT used to writing prose I like, that I was unable to see the similarities.

Drawing a picture IS like writing a book, and here is my process for both:

First things first - get those ideas down on tracing paper (or in an empty notebook/word doc - though I always use a notebook for my ideas. I find I am more creative when writing by hand as opposed to typing... and when it comes to floating ideas, the more creative the better!).

My story spark (the initial idea) is my favorite part of the writing process. That's when anything and everything is possible and all I have to do is put ideas down on paper and smile at all of them until I choose one I like best.

The above picture is adorable and would have made an excellent banner, but for this particular project, it wasn't quite right, so I pulled out more tracing paper, and gave it another go.

Once my idea resembles something usable, and I can imagine how it will look finished, it's time to pull out a fresh sheet of paper (or open a new word doc) and lay down the foundation.

When writing, I am a loose-outliner. I lay down a skeleton of events or pencil lines, keeping it detail-free to allow room for happy surprises and unplanned details. Same with drawing.

Not everyone outlines, but for me, a bare bones outline is important. I need to see a beginning, middle and end in my head and on paper, or else I'll write/draw until my hand is cramped and I've spent hours and hours on a project that will only end up in the waste basket.

Outline done, time to get started. Deep breaths. Pick up a color, open a new word doc, and fill the page. Yes, it can be scary. What if I mess up? What if I SUCK!? What if my colors are all wrong, and my words are cliched and everything is a pile of crap!

Well, that's just a risk I have to take. It happens to everyone. And guess what? The more I write, the more I draw, the better I get, because practice makes perfect, no matter what creative outlet I choose.

Bad things happen. My pencil breaks. I accidentally draw outside the lines. I type out eight chapters only to realize my main character is wimpy and I hate her.

I get angry. I stomp my feet like a four-year-old. I'm even known to growl louder than the family dog. I bake brownies and practically burn my house down because I'm a lousy baker. And then I eat the whole pan of brownies when no one is looking.

But then I sharpen my pencils, move those eight offending chapters to my deleted scenes folder (which, by the way, is twice the size of my actual work-in-progress - I make LOTS of mistakes) and I move on, because if I were to stop every time a pencil broke, or I drew outside the lines, or I made my main character into someone I can't stand, how would I ever finish and reach my goals?

For me, the hardest part of any project is what I call the Awkward Teenager phase. My work has potential to be a sparkling diamond, but at the moment, it is a sloppy, scribbly mess that makes me cringe and want to flat iron it's frizzy hair and give it some lipstick and a trendy outfit because it still wears t-shirts with machine-gun-toting fish on them to school.

I used to not be able to see past the Awkward Teenager phase of my illustrations. I would hate how unpolished and rough they looked. Now, I know that they'll get better. Add more color, blend a little more, smooth things out, keep on working, get those details in.

Same with writing. I'll vomit words all over my page and then read them and think, "Am I crazy? Why would I ever think I can be a writer when all that comes out is crap?"

Those Awkward Teenager drafts need more color, too. They need to be blended, smoothed. I need to keep working, add in more details. Anything can get better if I keep at it!

Add some shading, pick up Tuscan Red and Violet Blue and scribble some more. Move chapter two where chapter four is. Cut chapter five entirely, because really, what was I thinking?

Then blend, add more, smooth, add more, delete some, and keep hacking away at that Awkward Teenager until she starts college and discovers where she fits in the world.

It may take a long time. I might set goals for myself, and find I never reach them because I spend so much time deleting, reworking, adding more color, taking it away.

It's discouraging a lot of the time, especially when I doubt my abilities as much as I do... but I don't give up. Not even when I think I'm a no-talent hack and just want to toss my drawing board/computer out the window and run into the mountains to live with the deer and squirrels because they won't ever point a finger at my faults and tell me I'll fail forever.

Because I remember I'm not very nature-y, and squirrels have rabies and the plague, and what I really want to be is a writer/artist, so I might as well keep going or I'll most certainly fail forever.

This is usually when I discover that I'm not as bad as I think.

And it's just a matter of time, paint, glue, and persistence before it's done.

And in the end, all that hard work, foot stomping, brownie-binging, and scribbling until my hand cramped was TOTALLY worth it!

xoxo,

Sunday, January 10, 2010

Working on Rapunzel

I just wanted to share a few photos of what is going on in my studio.

Rapunzel as a work-in-progress. You can click each photo for a closer look, if you want to see a little more detail.

So, first things first... sketch.

After I sketch out my illustration, Sophie and Somersault check over my lines, making sure they are perfect.

Somer is a perfectionist, so she always tells me where to erase if she doesn't think my sketch is up to snuff. Notice how she is using a Pink Pearl eraser... the only kind I use.

I really hope you know I'm kidding
. I may be Crazy Cat Lady, but I'm not that crazy.

(I'm not kidding about the Pink Pearl eraser part, though. Pink Pearl erasers = magic)

Face always goes first. If I mess up something as simple as a nose, or the shape of her lips or eyelid, its back to square one. Things like hair, or background, or clothes I can always fudge if I mess up, but the face has to be perfect, or there's no point in moving forward. The face is my favorite, but its the most nerve-wracking.

Somersault inspects everything. She's checking to make sure my pencil shavings are in order.

Again, kidding. But seriously, its a bit of a challenge sharing my studio with a 2 year old, a 4 year old, and two rambunctious, curious kittens.

Okay, moving on. As I work on foreground, I always have to consider my background.

This illustration is going to be a mixed media collage... so here is my ripped up text (from a vintage fairy tale book) as I glue it onto bristol board.

(pssst! Book lovers, don't freak out. The fairy tale book was badly damaged and not worth a cent!)

Then I paint! I love getting my fingers messy. Here is a peek at my 1/2 painted background. There is a LOT more to do... from finishing the paint, to adding in the layers of colored pencil, to the detail.


Just a close-up as I work on that stone tower. Lots of blending and shading to bring out the stones.

And your last sneak peek is a close up of the stone tower with roses... not quite done yet, but close. I still have to do some detail work in the roses, to bring them and the leaves out.

Stay tuned! This illustration will be done in the next couple of days. I can not wait to have her finished... and to begin the next one -


Cinderella!

xoxo,

Saturday, December 5, 2009

Creating a Buggy School - From Start to Finish

Work-in-progress shot of the ladybug

I finished a custom illustration for a preschool auction in Colorado, the other day. You might remember the t-shirt design I showed a few months back (click here) for the team Alex's Angels, as they biked in the Courage Classic race to benefit the Children's Hospital... well, this illustration was a request by Elizabeth, who I worked with on that piece. I loved designing the Alex's Angels illustration and was more than thrilled to work on this one - and thought it would be fun to share my creative process from start to finish.

My style is very... scribbly - and if anyone were to ask me what my technique is I'd probably have to say I'm a blendy scribble-scrabbler. Kind of like a preschooler, so its appropriate that this picture is going to benefit a preschool!

Okay, there are a going to be a lot of pictures, with the final, finished illustration at the end, but I wanted to show the layers of color/blending that went into this piece. For the other color pencil artists out there, I used Prismacolor pencils, and my time spent on this illustration, which measures 11 x 14 inches, was about 7 hours (time gauged by my 60 minute CD played 7 times - its a good mix of music).

SNAIL

Layer One: A little bit of Cool Grey 20%, little bit of Limepeel, little bit of Goldenrod.

Blend, then another layer of color:
Little bit of Burnt Ochre, Pink, French Grey 70%, and Grass Green

Blend, then another layer of color:
Little bit of White and Warm Grey 70%

Lots more blending.

Okay, at this point, I can't move forward with the snail until I get the background around him finished. So here comes some Spring Green grass, some Light Cerulean Blue sky, and French Grey 70% of the eyes.

Okay, I skipped a couple of steps, but I think you get the idea. Shade with Grass green, blend. Shade rock with Violet Blue, blend. Outline with black, blend. Add white to highlight.

Done!

BUG SCHOOL

Yikes, what a mess. Okay, Spring Green grass, Cool Grey 20% rocks, Crimson Red school, Burnt Ochre roof, and Spanish Orange windows/door

Blend!

Okay, I clearly skipped a lot of layers here, but I shaded similarly to the snail/rock, with the exception of adding Tuscan Red (I heart Tuscan Red!) to shade the school.

And then BLEND!

Here is the finished school. The flag features the caterpillar logo of the preschool this will be auctioned for, and was the inspiration behind the entire piece.
Is that not the cutest logo you have ever seen in your life?

As for the entire illustration... well, I won't go in detail on each step, but here are some work in progress photos, as well as the final, finished illustration.

Aw... its just a baby! Here's my newborn sketch. Quite a bit will be changed and polished. Like the bee - I didn't really like him flying upside-down. Also, I made the snail, caterpillar and ladybug larger for the final illustration. You can see in the next picture that they take up more of the foreground than they do in the sketch.

Ah, here we are at the gawky teenage years of my illustration's work-in-progress life.
Very scribbly, half blended, and a little difficult imagining that it will turn out cute in the end.

Now it's a full blown college student, somewhat confident, but still finding itself in the big, bad world of illustration. We have a long way to go before it graduates into a finished illustration.

DONE! (click to see larger, if you want!) Yay, it got its diploma and is ready for a job. Way to go.

Before I go, let me just say... If I can creatively inspire people with my illustrations, I feel like its been a job well done. Four-year-old Gracie, who loves pulling up a chair and working next to me, was inspired to create a little buggy school scene of her own, and I've just got to share.

Nothing is cuter than the work of a preschooler!

Okay, I hope you liked seeing my process from start to finish! If you are interest in seeing more of my work-in-progress posts, click on the link: Inside The Artist's Studio

And if you have any questions about my creative process, just ask!

Enjoy!

xoxo,

Friday, September 25, 2009

Mad for Plaid Tags 'Cause Plaid Tags Are Rad

Say that title three times fast!

Okay, I don't know if you noticed, but I have a poll on my sidebar about what kinds of cards and tags you use the most... please vote, if you haven't yet!

Why, you may be asking yourself, do I have a poll up? Because, my dear readers, I have been designing my heart out on a new selection of cards and gift tags for my Paperie shop, and I want to make sure they are what everyone needs! These tags are currently blank, but they'll have a little greeting of some kind on them before they go off to print.

I've been in a plaid mood, can you tell?

I have a few more planned.... maybe a hedgehog would be cute! Or a couple more owls? Do you have any ideas of what you'd like to see on a tag, birthday card, or thank you note?

And these ones, which look hideous in their unfinished state, are done now, and absolutely LOVELY!

Can't wait to show you when I'm done!

xoxo,

Related Posts Plugin for WordPress, Blogger...